
This allows Hitch to pull off his famous 'twists' throughout the course of the movie, hitting you every now and then with something you simply weren't expecting.

To give away even the slightest story detail would ruin it for new viewers, because it is essential that everyone begin with the wrong impressions of the major characters. The result is an exciting and highly realistic film, whose new set cost, mainly for studio replicas, was well under the imposed limit.I own the Hitchcock collection (14 films in toto), and while this isn't my favourite of the bunch ('Psycho' is one of my favourite movies of all time, and 'Birds' never gets old), I like to watch it every now and again to remind myself what it means to make a "suspense film", and why Hitchcock was and always will be the master of this craft. 13,000), Hitchcock with his cast and crew took over the entire city for four weeks, converted it into a complete motion-picture studio. Instead of building a studio version of a typical American city, his main setting, he searched for a ready-made one. Instead of elaborate sets he used the real thing. Accustomed to spending more than $100,000 on sets alone for one picture, Hitchcock made Shadow Of A Doubt by reverting to the "location shooting" of early movie days.

LIFE magazine ran an extensive feature on the film's production in their January 1943 edition:Īs a director of one of the first movies to be produced under the Government restriction placing a $5,000 ceiling on new materials used for sets, has shown he has more than one trick up his sleeve. Writer Thornton Wilder accompanied Hitchcock on a trip to the town in June 1942 so that they could incorporate local landmarks and buildings into the screenplay. Shadow of a Doubt was mostly filmed on location in Santa Rosa, California, during August 1942.
